THE HISTORY OF DON QUIXOTE, Vol. I, Complete

        BEGIN VOLUME ONE 

 CONTENTS OF VOLUME ONE 

      LINK TO VOLUME TWO

DON QUIXOTE

by Miguel de Cervantes

Translated by John Ormsby

Illustrated by Gustave Dore

Volume I., Complete

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Ebook Editor's Note

The book cover and spine above and the images which follow were not part of the original Ormsby translation—they are taken from the 1880 edition of J. W. Clark, illustrated by Gustave Dore. Clark in his edition states that, "The English text of 'Don Quixote' adopted in this edition is that of Jarvis, with occasional corrections from Motteaux." See in the introduction below John Ormsby's critique of both the Jarvis and Motteaux translations. It has been elected in the present Project Gutenberg edition to attach the famous engravings of Gustave Dore to the Ormsby translation instead of the Jarvis/Motteaux. The detail of many of the Dore engravings can be fully appreciated only by utilizing the "Enlarge" button to expand them to their original dimensions. Ormsby in his Preface has criticized the fanciful nature of Dore's illustrations; others feel these woodcuts and steel engravings well match Quixote's dreams.

Note on the Images
Please use the "Enlarge" Link

The images both woodcuts and steel-engravings are some of Gustave Dore's finest productions. The pages of the printed edition measure 16 inches by 11 inches—images as first displayed here have been reduced to one-fourth of the original size. This severely deteriorates many of the illustrations which can only be appreciated when returned to full size. All of the steel-engravings should be enlarged.

           D.W.

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CONTENTS

Volume I.

CHAPTER I
WHICH TREATS OF THE CHARACTER AND PURSUITS OF THE FAMOUS GENTLEMAN
DON QUIXOTE OF LA MANCHA

CHAPTER II
WHICH TREATS OF THE FIRST SALLY THE INGENIOUS DON QUIXOTE MADE
FROM HOME

CHAPTER III
WHEREIN IS RELATED THE DROLL WAY IN WHICH DON QUIXOTE HAD HIMSELF
DUBBED A KNIGHT

CHAPTER IV
OF WHAT HAPPENED TO OUR KNIGHT WHEN HE LEFT THE INN

CHAPTER V
IN WHICH THE NARRATIVE OF OUR KNIGHT'S MISHAP IS CONTINUED

CHAPTER VI
OF THE DIVERTING AND IMPORTANT SCRUTINY WHICH THE CURATE AND THE
BARBER MADE IN THE LIBRARY OF OUR INGENIOUS GENTLEMAN

CHAPTER VII
OF THE SECOND SALLY OF OUR WORTHY KNIGHT DON QUIXOTE OF LA MANCHA

CHAPTER VIII
OF THE GOOD FORTUNE WHICH THE VALIANT DON QUIXOTE HAD IN THE
TERRIBLE AND UNDREAMT-OF ADVENTURE OF THE WINDMILLS, WITH OTHER
OCCURRENCES WORTHY TO BE FITLY RECORDED

CHAPTER IX
IN WHICH IS CONCLUDED AND FINISHED THE TERRIFIC BATTLE BETWEEN THE
GALLANT BISCAYAN AND THE VALIANT MANCHEGAN

CHAPTER X
OF THE PLEASANT DISCOURSE THAT PASSED BETWEEN DON QUIXOTE AND HIS
SQUIRE SANCHO PANZA

CHAPTER XI
OF WHAT BEFELL DON QUIXOTE WITH CERTAIN GOATHERDS

CHAPTER XII
OF WHAT A GOATHERD RELATED TO THOSE WITH DON QUIXOTE

CHAPTER XIII
IN WHICH IS ENDED THE STORY OF THE SHEPHERDESS MARCELA, WITH OTHER
INCIDENTS

CHAPTER XIV
WHEREIN ARE INSERTED THE DESPAIRING VERSES OF THE DEAD SHEPHERD,
TOGETHER WITH OTHER INCIDENTS NOT LOOKED FOR

CHAPTER XV
IN WHICH IS RELATED THE UNFORTUNATE ADVENTURE THAT DON QUIXOTE
FELL IN WITH WHEN HE FELL OUT WITH CERTAIN HEARTLESS YANGUESANS

CHAPTER XVI
OF WHAT HAPPENED TO THE INGENIOUS GENTLEMAN IN THE INN WHICH HE
TOOK TO BE A CASTLE

CHAPTER XVII
IN WHICH ARE CONTAINED THE INNUMERABLE TROUBLES WHICH THE BRAVE
DON QUIXOTE AND HIS GOOD SQUIRE SANCHO PANZA ENDURED IN THE INN,
WHICH TO HIS MISFORTUNE HE TOOK TO BE A CASTLE

CHAPTER XVIII
IN WHICH IS RELATED THE DISCOURSE SANCHO PANZA HELD WITH HIS MASTER,
DON QUIXOTE, AND OTHER ADVENTURES WORTH RELATING

CHAPTER XIX
OF THE SHREWD DISCOURSE WHICH SANCHO HELD WITH HIS MASTER, AND OF
THE ADVENTURE THAT BEFELL HIM WITH A DEAD BODY, TOGETHER WITH OTHER
NOTABLE OCCURRENCES

CHAPTER XX
OF THE UNEXAMPLED AND UNHEARD-OF ADVENTURE WHICH WAS ACHIEVED BY THE
VALIANT DON QUIXOTE OF LA MANCHA WITH LESS PERIL THAN ANY EVER
ACHIEVED BY ANY FAMOUS KNIGHT IN THE WORLD

CHAPTER XXI
WHICH TREATS OF THE EXALTED ADVENTURE AND RICH PRIZE OF MAMBRINO'S
HELMET, TOGETHER WITH OTHER THINGS THAT HAPPENED TO OUR INVINCIBLE
KNIGHT

CHAPTER XXII
OF THE FREEDOM DON QUIXOTE CONFERRED ON SEVERAL UNFORTUNATES WHO
AGAINST THEIR WILL WERE BEING CARRIED WHERE THEY HAD NO WISH TO GO

CHAPTER XXIII
OF WHAT BEFELL DON QUIXOTE IN THE SIERRA MORENA, WHICH WAS ONE OF
THE RAREST ADVENTURES RELATED IN THIS VERACIOUS HISTORY

CHAPTER XXIV
IN WHICH IS CONTINUED THE ADVENTURE OF THE SIERRA MORENA

CHAPTER XXV
WHICH TREATS OF THE STRANGE THINGS THAT HAPPENED TO THE STOUT
KNIGHT OF LA MANCHA IN THE SIERRA MORENA, AND OF HIS IMITATION
OF THE PENANCE OF BELTENEBROS

CHAPTER XXVI
IN WHICH ARE CONTINUED THE REFINEMENTS WHEREWITH DON QUIXOTE
PLAYED THE PART OF A LOVER IN THE SIERRA MORENA

CHAPTER XXVII
OF HOW THE CURATE AND THE BARBER PROCEEDED WITH THEIR SCHEME;
TOGETHER WITH OTHER MATTERS WORTHY OF RECORD IN THIS GREAT HISTORY

CHAPTER XXVIII
WHICH TREATS OF THE STRANGE AND DELIGHTFUL ADVENTURE THAT BEFELL
THE CURATE AND THE BARBER IN THE SAME SIERRA

CHAPTER XXIX
WHICH TREATS OF THE DROLL DEVICE AND METHOD ADOPTED TO EXTRICATE
OUR LOVE-STRICKEN KNIGHT FROM THE SEVERE PENANCE HE HAD IMPOSED
UPON HIMSELF

CHAPTER XXX
WHICH TREATS OF ADDRESS DISPLAYED BY THE FAIR DOROTHEA, WITH OTHER
MATTERS PLEASANT AND AMUSING

CHAPTER XXXI
OF THE DELECTABLE DISCUSSION BETWEEN DON QUIXOTE AND SANCHO PANZA,
HIS SQUIRE, TOGETHER WITH OTHER INCIDENTS

CHAPTER XXXII
WHICH TREATS OF WHAT BEFELL DON QUIXOTE'S PARTY AT THE INN

CHAPTER XXXIII
IN WHICH IS RELATED THE NOVEL OF "THE ILL-ADVISED CURIOSITY"

CHAPTER XXXIV
IN WHICH IS CONTINUED THE NOVEL OF "THE ILL-ADVISED CURIOSITY"

CHAPTER XXXV
WHICH TREATS OF THE HEROIC AND PRODIGIOUS BATTLE DON QUIXOTE HAD
WITH CERTAIN SKINS OF RED WINE, AND BRINGS THE NOVEL OF "THE
ILL-ADVISED CURIOSITY" TO A CLOSE

CHAPTER XXXVI
WHICH TREATS OF MORE CURIOUS INCIDENTS THAT OCCURRED AT THE INN

CHAPTER XXXVII
IN WHICH IS CONTINUED THE STORY OF THE FAMOUS PRINCESS MICOMICONA,
WITH OTHER DROLL ADVENTURES

CHAPTER XXXVIII
WHICH TREATS OF THE CURIOUS DISCOURSE DON QUIXOTE DELIVERED ON
ARMS AND LETTERS

CHAPTER XXXIX
WHEREIN THE CAPTIVE RELATES HIS LIFE AND ADVENTURES

CHAPTER XL
IN WHICH THE STORY OF THE CAPTIVE IS CONTINUED.

CHAPTER XLI
IN WHICH THE CAPTIVE STILL CONTINUES HIS ADVENTURES

CHAPTER XLII
WHICH TREATS OF WHAT FURTHER TOOK PLACE IN THE INN, AND OF
SEVERAL OTHER THINGS WORTH KNOWING

CHAPTER XLIII
WHEREIN IS RELATED THE PLEASANT STORY OF THE MULETEER, TOGETHER
WITH OTHER STRANGE THINGS THAT CAME TO PASS IN THE INN

CHAPTER XLIV
IN WHICH ARE CONTINUED THE UNHEARD-OF ADVENTURES OF THE INN

CHAPTER XLV
IN WHICH THE DOUBTFUL QUESTION OF MAMBRINO'S HELMET AND THE
PACK-SADDLE IS FINALLY SETTLED, WITH OTHER ADVENTURES THAT
OCCURRED IN TRUTH AND EARNEST

CHAPTER XLVI
OF THE END OF THE NOTABLE ADVENTURE OF THE OFFICERS OF THE HOLY
BROTHERHOOD; AND OF THE GREAT FEROCITY OF OUR WORTHY KNIGHT, DON
QUIXOTE

CHAPTER XLVII
OF THE STRANGE MANNER IN WHICH DON QUIXOTE OF LA MANCHA WAS
CARRIED AWAY ENCHANTED, TOGETHER WITH OTHER REMARKABLE INCIDENTS

CHAPTER XLVIII
IN WHICH THE CANON PURSUES THE SUBJECT OF THE BOOKS OF CHIVALRY,
WITH OTHER MATTERS WORTHY OF HIS WIT

CHAPTER XLIX
WHICH TREATS OF THE SHREWD CONVERSATION WHICH SANCHO PANZA HELD
WITH HIS MASTER DON QUIXOTE

CHAPTER L
OF THE SHREWD CONTROVERSY WHICH DON QUIXOTE AND THE CANON HELD,
TOGETHER WITH OTHER INCIDENTS

CHAPTER LI
WHICH DEALS WITH WHAT THE GOATHERD TOLD THOSE WHO WERE CARRYING
OFF DON QUIXOTE

CHAPTER LII
OF THE QUARREL THAT DON QUIXOTE HAD WITH THE GOATHERD, TOGETHER
WITH NTHE RARE ADVENTURE OF THE PENITENTS, WHICH WITH AN
EXPENDITURE OF SWEAT HE BROUGHT TO A HAPPY CONCLUSION

        BEGIN VOLUME ONE 

 CONTENTS OF VOLUME ONE 

      LINK TO VOLUME TWO

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Complete, by Miguel de Cervantes

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   Next Part   
   Main Index   

DON QUIXOTE

by Miguel de Cervantes

Translated by John Ormsby

Volume I.,  Part 1.

Chapters 1-3

bookcover.jpg (230K)

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spine.jpg (152K)

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Ebook Editor's Note

The book cover and spine above and the images which follow were not part of the original Ormsby translation—they are taken from the 1880 edition of J. W. Clark, illustrated by Gustave Dore. Clark in his edition states that, "The English text of 'Don Quixote' adopted in this edition is that of Jarvis, with occasional corrections from Motteaux." See in the introduction below John Ormsby's critique of both the Jarvis and Motteaux translations. It has been elected in the present Project Gutenberg edition to attach the famous engravings of Gustave Dore to the Ormsby translation instead of the Jarvis/Motteaux. The detail of many of the Dore engravings can be fully appreciated only by utilizing the "Full Size" button to expand them to their original dimensions. Ormsby in his Preface has criticized the fanciful nature of Dore's illustrations; others feel these woodcuts and steel engravings well match Quixote's dreams.            D.W.

p003.jpg (307K)

Full Size

CONTENTS

CHAPTER I
WHICH TREATS OF THE CHARACTER AND PURSUITS OF THE FAMOUS GENTLEMAN
DON QUIXOTE OF LA MANCHA

CHAPTER II
WHICH TREATS OF THE FIRST SALLY THE INGENIOUS DON QUIXOTE MADE
FROM HOME

CHAPTER III
WHEREIN IS RELATED THE DROLL WAY IN WHICH DON QUIXOTE HAD HIMSELF
DUBBED A KNIGHT

TRANSLATOR'S PREFACE

I: ABOUT THIS TRANSLATION

It was with considerable reluctance that I abandoned in favour of the present undertaking what had long been a favourite project: that of a new edition of Shelton's "Don Quixote," which has now become a somewhat scarce book. There are some—and I confess myself to be one—for whom Shelton's racy old version, with all its defects, has a charm that no modern translation, however skilful or correct, could possess. Shelton had the inestimable advantage of belonging to the same generation as Cervantes; "Don Quixote" had to him a vitality that only a contemporary could feel; it cost him no dramatic effort to see things as Cervantes saw them; there is no anachronism in his language; he put the Spanish of Cervantes into the English of Shakespeare. Shakespeare himself most likely knew the book; he may have carried it home with him in his saddle-bags to Stratford on one of his last journeys, and under the mulberry tree at New Place joined hands with a kindred genius in its pages.

But it was soon made plain to me that to hope for even a moderate popularity for Shelton was vain. His fine old crusted English would, no doubt, be relished by a minority, but it would be only by a minority. His warmest admirers must admit that he is not a satisfactory representative of Cervantes. His translation of the First Part was very hastily made and was never revised by him. It has all the freshness and vigour, but also a full measure of the faults, of a hasty production. It is often very literal—barbarously literal frequently—but just as often very loose. He had evidently a good colloquial knowledge of Spanish, but apparently not much more. It never seems to occur to him that the same translation of a word will not suit in every case.

It is often said that we have no satisfactory translation of "Don Quixote." To those who are familiar with the original, it savours of truism or platitude to say so, for in truth there can be no thoroughly satisfactory translation of "Don Quixote" into English or any other language. It is not that the Spanish idioms are so utterly unmanageable, or that the untranslatable words, numerous enough no doubt, are so superabundant, but rather that the sententious terseness to which the humour of the book owes its flavour is peculiar to Spanish, and can at best be only distantly imitated in any other tongue.

The history of our English translations of "Don Quixote" is instructive. Shelton's, the first in any language, was made, apparently, about 1608, but not published till 1612. This of course was only the First Part. It has been asserted that the Second, published in 1620, is not the work of Shelton, but there is nothing to support the assertion save the fact that it has less spirit, less of what we generally understand by "go," about it than the first, which would be only natural if the first were the work of a young man writing currente calamo, and the second that of a middle-aged man writing for a bookseller. On the other hand, it is closer and more literal, the style is the same, the very same translations, or mistranslations, occur in it, and it is extremely unlikely that a new translator would, by suppressing his name, have allowed Shelton to carry off the credit.

In 1687 John Phillips, Milton's nephew, produced a "Don Quixote" "made English," he says, "according to the humour of our modern language." His "Quixote" is not so much a translation as a travesty, and a travesty that for coarseness, vulgarity, and buffoonery is almost unexampled even in the literature of that day.

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Lesen Sie weiter in der vollständigen Ausgabe!